Tuesday, August 25, 2020
About Marcel Breuer, Bauhaus Architect and Designer
About Marcel Breuer, Bauhaus Architect and Designer You may perceive Marcel Breuers Wassily seat, however you know Breuers Cesca, the fun metal rounded lounge area seat with the (frequently phony plastic) stick seat and back. A unique B32 model is in the assortment of the Museum of Modern Art in New York City Even today, you can get them, since Breuer never took a patent on the plan. Marcel Breuer was a Hungarian planner and designer who moved with and past the Bauhaus school of structure. His steel tube furniture carried twentieth century innovation to the majority, however his striking utilization of precast cement empowered huge, present day structures to be worked under financial plan. Foundation: Conceived: May 21, 1902 in Pã ©cs, Hungary Complete Name: Marcel Lajos Breuer Passed on: July 1, 1981 in New York City Hitched: Marta Erps, 1926-1934 Citizenship: Immigrated to the U.S. in 1937; naturalized resident in 1944 Instruction: 1920: learned at Vienna Academy of Fine Arts1924: Master of Architecture, Bauhaus School in Weimer, Germany Proficient Experience: 1924: Pierre Chareau, Paris1925-1935: Master of the Carpentry Shop, Bauhaus School1928-1931: Bund Deutscher Architekten (Association of German Architects), Berlin1935-1937: Partnership with British planner F.R.S. Yorke, London1937: Begins instructing at Harvard University Graduate School of Design, Cambridge, Massachusetts1937-1941: Walter Gropius and Marcel Breuer Architects, Cambridge, MA1941: Marcel Breuer and Associates, Cambridge (MA), NYC, and Paris Chosen Architectural Works: 1939: Breuer House (own living arrangement), Lincoln, Massachusetts1945: Geller House (Breuers first post-war bi-atomic structure), Long Island, NY1953-1968: St. Johns Abbey, Collegeville, Minnesota1952-1958: UNESCO World Headquarters, Paris, France1960-1962: IBM Research Center, La Gaude, France1964-1966: Whitney Museum of American Art, New York City1965-1968: Robert C. Weaver Federal Building, Washington, DC1968-1970: Armstrong Rubber Company Headquarters, West Haven, Connecticut1980: Central Public Library, Atlanta, Georgia Most popular Furniture Designs: 1925: Wassily chair1928: Cesca seat otherwise called the B32 Chosen Awards: 1968: FAIA, Gold Medal1968: Thomas Jefferson Foundation Medal in Architecture1976: Grand Medalle dOr French Academy of Architecture Breuers Students at Harvard University: Philip JohnsonI.M. Pei Impacts and Related People: Walter GropiusPaul Klee, Swiss artistLudwig Mies van der RoheRichard NeutraBreuer, alongside Landis Gores, John Johansen, Philip Johnson, and Eliot Noyes, were known in New Canaan, Connecticut as The Harvard Five In the Words of Marcel Breuer: Source: Marcel Breuer papers, 1920-1986. Chronicles of American Art, Smithsonian Institution In any case, I dont need to live in a house which was stylish twenty years back.- Defining Modern Architecture [undated] ...objects have their various appearances because of their changed capacities. In that they ought to exclusively fulfill our necessities, and not struggle with one another, they together offer ascent to our style....objects gain a structure comparing to their capacity. Rather than expressions of the human experience and artworks (kunstgewerbe) origination where objects of a similar capacity take on various structures because of varieties and inorganic trimming.- On Form and Function at the Bauhaus in 1923 [1925] Sullivans proclamation structure follows work needs a completion to the sentence however not generally. Likewise here we need to utilize our very own judgment great detects, additionally here we ought not acknowledge aimlessly the custom.- Notes on Architecture, 1959 One needs no specialized information to consider a thought however one needs specialized capacity and information to build up this thought. In any case, imagining the thought and acing the method don't require the equivalent abilities....The primary concern is that we demonstration at where something required is missing, and utilize the potential that we have available to us to locate a financial and cognizant arrangement.- On Form and Function at the Bauhaus in 1923 [1925] In this manner present day design would exist even without fortified solid, pressed wood or flooring. It would exist even in stone, wood and block. It is critical to underline this since dogmatic and unselective utilization of new materials misrepresents the fundamental standards of our work.- On Architecture and Material, 1936 There are two separate zones, associated distinctly by the passage lobby. One is for normal living, eating, sport, games, cultivating, guests, radio, for consistently powerful living. The second, in a different wing, is for focus, work and dozing: the rooms are planned and dimensioned with the goal that they might be utilized as private examinations. Between the two zones is a yard for blossoms, plants; outwardly associated with, or essentially a piece of, the lounge room and the corridor.- On a Design of a Bi-Nuclear House, 1943 Be that as it may, what I esteem the vast majority of his accomplishments is his feeling of inside space. It is a freed spaceto be experienced by your eye, however felt by your touch: measurements and tweaks comparing to your means and developments, grasping the grasping scene.- On Frank Lloyd Wright, 1959 Find out More: Who is Marcel Breuer?The Bauhaus, 1919ââ¬1933, The Metropolitan Museum of ArtA Bauhaus Life: Is Bauhaus Too International for America?Marcel Breuer Digital Archive at Syracuse University LibrariesThe Harvard Five in New Canaan by William D. Barons, Norton, 2006Saint Johns Abbey Church: Marcel Breuer and the Creation of a Modern Sacred Space by Victoria M. Youthful, University Of Minnesota Press, 2014 Sources: Marcel Breuer, Modern Homes Survey, National Trust for Historic Preservation, 2009; Biographical History, Syracuse University Libraries [accessed July 8, 2014]
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